Opa 

Opa 

Exploring the intricate role of the eldest daughter within the family, Opa is a video installation opening up for reflection on the broader societal context of Uzbekistan. More than being a mere family member, the figure of the older sister embodies multiple identities, encompassing de facto that of a motherly nature, obedient daughter, caring sister, illusory son and bearer of filial responsibility, while placing her own identity and aspirations aside. Working between the constructs of gender-defined labor and expectations of unspoken devotion, this installation unveils the shifting layers of the eldest sisters role. Opa blends historical narratives from various time periods within contemporary family archives, shedding light on the broader concept of the sister figure across generations, while also highlighting personal stories, providing an intimate view of this often elided character.

Artist’s statement
Drawing from my own journey as an older sister, I delve into the intricate layers of familial and societal expectations, transcending simplistic narratives of gender roles. I engage with different historical sister figures to explore the shared notion of sisterhood across generations, inviting the viewer to unpack the different manifestations of family dynamics and reimagining the narratives that shape our understanding of kinship and identity.

 

Bio
Born in 1997 in Uzbekistan, Zumrad Mirzalieva is a photographer and filmmaker, member of the Davra research group. Holding a master’s degree in Social Innovation from LSE, she has focused her research on exploring the transformative potential of art in driving positive social change. Zumrad’s artistic practice revolves around the exploration of interconnected themes, including decolonization, exploitation, ecology, agency and rethinking historical narratives through an intersectional feminist perspective.

 

@zuma.mir